"Agents like to see themselves as zookeepers. Viewing writers as their captive animals that they keep under lock and key. Chris thought they were more like mushroom farmers. And we were the mushrooms. Kept in the dark and fed only on horseshit." (Allan Cole)
***
"Agents are like tires on a car; in order to get anywhere at all you need at least four of them, and they need to be rotated every 5,000 miles." (Billy Wilder)
***
"A long time ago, when I was just starting out (as a writer), I had the good fortune to meet the great Willa Cather. With all the audacity of youth, I asked her "If you could only give me one rule to follow, what would it be?" She paused, looked down for a moment and finally said, "Never wear brown shoes with a blue suit." (From Michael O'Donoghue's "How To Write Good.)
* * *
The kid -
who looked like Mr. Spock, except he was really fat - said, "I've written,
like, dozens of movies, man, and nobody will give me a break. It's like a total
Hollywood conspiracy, you know? They make all these lousy science fiction
movies that, like, righteously suck. And they totally ignore somebody who tries
to give them something that really - you know - rocks as science fiction
instead of the crap the Studios keep doing... if you'll pardon my French."
"Which
part should we pardon?" Chris asked. "The crap part or the Studio
part?"
I said,
"He must mean the Studio part, Chris. Crap is a perfectly acceptable
word."
The
audience laughed and the kid who looked like Mr. Spock, except he was really
fat, was pleased. He fingered the pointy tip of one ear, and said, "They
keep telling me that I have to have an agent, man. So I tried to get an agent.
I tried and tried, but they keep sending my scripts back. I don't think they
even read them."
"They
don't," I said. "There are certain abasement procedures you
absolutely have to undergo before they finally reject you. First you have to
send them a letter, begging them to read your script. You also better include
return postage and a self-addressed envelope. If you skip the query letter
part, they'll automatically ship the script back without reading it."
"Unless
you didn't include return postage," Chris said, "in which case,
they'll shitcan the script."
A girl in
a Yowsa! Princess Lea Slave Girl bikini put hands on rounded hips and said,
"Why do we have to have an agent anyway? Seems like an unnecessary
middleman to me. Why not just go straight to the Studio?"
There were
hot words of agreement from the crowd. Chris and I couldn't really blame them.
Every writer questions the need for agents several times during his career.
More so at the beginning and the end, than in the middle, when you are too busy
hustling gigs to pay much attention to the guys who are snipping ten percent
out of every paycheck.
The crowd
in question would have looked bizarre anywhere else except at a World Science
Fiction Convention - especially a science fiction convention set in New
Orleans. This is the same convention where Chris and I, along with Kathryn and
Karen, had become lost in the fog on the outskirts of The French Quarter and
were rescued by an Inebriated Mime.
(See: Chuck Connors Kisses The Ring.)
Most of
the people in the audience were dressed as their favorite characters from
dozens of science fiction movies and TV series, with Star Trek and Star Wars
represented more heavily than most. But they all had at least one thing in
common, which is why they'd gather to hear Words Of Wisdom From Bunch &
Cole. They'd been terminally stricken with the I-Want-To-Be- In-Pictures bug,
which can infect an otherwise perfectly rational person for years - if not a
lifetime.
It's a
relatively harmless affliction, unlike - say, a heroin or Texas Hold-Em habit.
Unfortunately, the cure rate is well below the percentages achieved by substance
support groups. (You never hear anyone go: "Hi, I'm Wally. And I'm a
Hollywood Writer Wannabee."... "Hi, Wally!"....)
The cause
is simple. Unless they are from another planet, everyone has seen a movie and
has watched television and considers Himself/Herself(Herself/Himself!)an
expert.
Okay, even
people from other planets probably aren't immune. No doubt they can get twenty
million, five hundred and sixty-six thousand, and fifty two channels from their
endlessly-streaming cable/satellite/Apple TV networks - and there is still nothing the
hell on to watch. And their multiplexes were probably designed by somebody out
of a Douglas Adams' novel, and plopped in The Mall At The End Of The Universe,
and contain an infinite number of rooms with postage-stamp screens and sticky
floors. (Don't forget your towels, kids.)
And those
aliens probably thought the same thing you did when watching some typically
awful production - What Crap! (Or, What Studio!) I can do better than that! The
next step - to be avoided at all cost - is to then think: Hell, why don't I
give it a try?
Because,
Whoops! There you go down the Rabbit Hole to La-La-Land, where only two or
three ink-stained wretches ever get the chance to have their keyboards lopped
off by the Red Queen of all Showrunners. The rest wander around aimlessly,
hoping to bump into the Executioner's Agent, or Michael Ovitz, whichever comes
first.
I said,
"Think of it as Hollywood's take on Adam and Eve. Without an agent, you
don't even get to nibble the apple, much less talk to the snake."
"So,
how did you guys get an agent?" somebody in the audience - tall, and
furry, so he was probably a Wookie - asked.
Chris
said, "We went straight to the Big Man at the Bottom - Satan. Old Scratch.
Beelzebub. The Prince Of Fucking Darkness."
"In
other words," I said, "we hired a lawyer."
Chris
said, "The lawyer read our stuff and got us an agent, who read our stuff,
and then got us a job. "
"His
name was Larry Grossman and he was truly a great agent," I said. "He
helped us get our first break.
(See: Jack Klugman And The KO Kids) He was
honest, which is really saying something for an Agent. He cared about us
personally, not just as paychecks. He was looking to our future."
"What
happened to him?" Somebody shouted. It was the Wookie's companion - R2D2,
with fishnet stockings, containing a really nice pair of legs.
Chris
said, "We fired his ass."
Silence
from the crowd. As well there should have been.
I said,
"It was a really stupid thing to do. A fuck-up of the first order. To this
day, Chris and I take turns kicking each other's butts for being so incredibly
- so royally - dimwitted."
Chris
shrugged. "What can we say, except - the Devil made us do it."
Trying to
explain the unexplainable, I said, "When you finally do get an agent...
and you land your first gig... all those agents who wouldn't talk to you
before, are suddenly dying to sign incredible geniuses like yourself."
"They
come blowing in your ear," Chris said.
"Whispering
sweet nothings over boozy lunches," I said. "Telling you how your
present agent really doesn't understand you."
"Pretty
soon, they turn your pretty little empty head," Chris said. "And you
start believing all their shit." He shook his head in disgust, then added,
"It's the Tinsel-Town version of The House Of The Rising Sun."
I said,
"First agent we ran away with was a guy named Irv Schechter."
"Big
talk, no action," Chris said.
"Then
we went with a guy named Scott Penney for awhile," I said.
"Nice
guy," Chris said. "But lazy and disorganized."
"After
that we really hit the big time," I said. "William Fucking
Morris."
"Not
nice guys. "Energetically incompetent," Chris said. "Scared of
their own shadows."
"Before
we came here," I said, "we signed with a guy the jury's still out on,
so I won't mention his name. But to give you an idea how long that's going to
last - Chris calls him The Weasel."
Titters
from the Audience.
"He's
got a really fucking whiny voice," Chris said in his own defense.
"But
he came highly recommended," I put in.
"He's
got sharp little teeth and he's got a long skinny neck and he talks and talks
and talks and he's already driving me crazy," Chris said.
"Why'd
you hire him?" somebody shouted.
I sighed.
"We had to," I said."Chris put a knife in his desk."
Dead
silence - except for somebody saying - "Holy Shit."
"I
couldn't help it," Chris said."He wouldn't shut the fuck up. And he
was using all these Hollywood buzz words... You know, like - take a meeting;
and boffo, as in big hit; and tentpole, as in movie sequels; and praisery - as
in, the Agency had an in-house PR team; and dramedy, as in a comic drama, or a
dramatic comedy. He had no goddamn shame and I had this perfectly good knife in
my boot, so I... I..."
"I
think you made him piss his pants," I said.
"I
know, I know," Chris said mournfully.
"And
now he's going all over town bragging to everybody that Chris Bunch stuck a
knife in his desk," I said.
"I
know, I know," Chris groaned.
"It's The Weasel's new macho act," I said. "Probably the only one he's ever had.
Gets to say, 'Hey, I'm so manly I have a knife scar in my desk from Bunch &
Cole."
"I
couldn't help it," Chris said.
"Last
time we were in," I said, "The Weasel had the hole in his desk
framed, that's how proud he is of it,"
"I
swear I'll never do it again," Chris said.
I said,
"For a minute there, I thought you were going for his heart."
Chris
snorted. "An agent? Give me a break, Cole. What fucking heart?"
The
audience roared.
*****
NEXT: THE SHE DEVIL WHO SCARED HELL OUT OF THE HIGHLANDER
*****
THE NEW STEN OMNIBUS EDITIONS
IT'S HERE: JUGGERNAUT!
Sten Omnibus #2
Click this link to buy the book!
Orbit Books in the U.K. has gathered up all eight novels in the Sten Series and is publishing them as three omnibus editions. The First - BATTLECRY - features the first three books in the series: Sten #1; Sten #2 -The Wolf Worlds; and Sten #3, The Court Of A Thousand Suns. Click this link to buy it. The Kindle Edition OF BATTLECRY, includes all three books but is only available in the U.K. and territories. Click this link to buy it. Available now: JUGGERNAUT, which features the next three books: Sten #4, Fleet Of The Damned; Sten #5, Revenge Of The Damned; and Sten #6, The Return Of the Emperor. Click this link to buy both the trade paperback and Kindle version. Next month months Orbit (A division of Little Brown) will publish DEATH MATCH, which will feature Sten #7, Vortex, and Sten #8, End Of Empire. Those will be issued as Kindle editions as well. Stay tuned for details.
*****
THE COMPLETE MISADVENTURES: IT'S A BOOK!
THE VITAL LINKS:
The MisAdventures began humbly enough - with about 2,000 readers. When it rose to over 50,000 (we've now passed the 175,000 mark) I started listening to those of you who urged me to collect the stories into a book. Starting at the beginning, I went back and rewrote the essays, adding new detail and events as they came to mind. This book is the result of that effort. However, I'm mindful of the fact, Gentle Reader, that you also enjoy having these little offerings posted every Friday to put a smile on your face for the weekend. So I'll continue running them until it reaches the final Fade Out. Meanwhile, it would please the heart of this ink-stained wretch - as well as tickle whatever that hard black thing is in my banker's chest - if you bought the book. It will make a great gift, don't you think? And if you'd like a personally autographed copy you can get it directly through my (ahem) Merchant's Link at Amazon.com. Click here. Buy the book and I will sign it and ship it to you. Break a leg!
*****
STEN #1 DEBUTS IN SPANISH!
*****
Sten debuta # 1 en español! Narrada en cuatro partes, Episode Dos ahora aparece en la revista Diaspar, la mejor revista de SF & F en América del Sur!
*****
THE STEN COOKBOOK & KILGOUR JOKEBOOK
Two new companion editions to the international best-selling Sten series. In the first, learn the Emperor's most closely held cooking secrets. In the other, Sten unleashes his shaggy-dog joke cracking sidekick, Alex Kilgour. Both available as trade paperbacks or in all major e-book flavors. Click here to tickle your funny bone or sizzle your palate.
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